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Part comedy, part mystery, part rock concert, this thrilling story toggles back and forth in time, as father and daughter face the music of the past. Neary, a young Cambodian American has found evidence that could finally put away the Khmer Rouge’s chief henchman. But her work is far from done. When Dad shows up unannounced—his first return to Cambodia since fleeing 30 years ago—it’s clear this isn’t just a pleasure trip.Di Glazer / ICM
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When an American college basketball team travels to Beijing for an exhibition game in 1989, the drama on the court goes deeper than the strain between their countries. For two men with a past and one teen with a future, it’s a chance to stake their moment in history and claim personal victories off the scoreboard. American coach Saul grapples with his relevance to the sport, Chinese coach Wen Chang must decide his role in his rapidly-changing country and Chinese American player Manford seeks a lost connection. Tensions rise right up to the final buzzer as history collides with the action in th...Di Glazer / ICM
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Just when newly hired CEO Joan is about to launch a new brand of women’s yoga pants, yoga apparel giant Jojomon is hit by a terrible scandal. Desperate to win back the company’s reputation (and her own), Joan stakes everything on a plan so crazy it just might work. YOGA PLAY is a journey towards enlightenment in a world determined to sell it.Michael Finkle / WME
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Samira and Greta lead a peaceful life. They have their own clearing in the woods, their own hut, and their son Kalil to keep them laughing. When Kalil returns home one day without their water rations, however, Samira and Greta find themselves in conflict with their local political leader. Set in a tense segregated society, Thirst is a complex look at race and love in war-time.Allison Schwartz / Paradigm
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Some days feel like they will never end. After a morning that includes a cancer scare and kicking her girlfriend out of the house, Octavia decides to have a last turn up with her best friends.WME
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IF PRETTY HURTS THEN UGLY MUST BE A MUHFUCKA: AN UNDERSTANDING OF A WEST AFRICAN FOLKTALE In Affreakah-Amirrorkah, an imaginary but uncannily familiar place, debutantes Akim, Adama, Kaya, and Massassi embody the culture’s notion of Beauty in all its shades and shapes. Still, something about Akim sets her apart, and her allure makes her a target for Massassi and her pretty, "jealous" peers. If Pretty Hurts Ugly Must Be a Muhfucka weaves contemporary African and American cultures into a sweeping journey about what—and whom—we suppress in pursuit of an ideal always just beyond reach.Chris Till & Ally Shuster / CAA
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IS GOD IS is an epic tale of twin sisters who, haunted by a brutal family history, sojourn West to seek revenge.Ross Weiner / ICM
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In 2011, the director of the International Monetary Fund was accused of sexual assault by a hotel maid, Nafissatou Diallo, but all charges were dismissed. we, the invisibles shares the rarely-heard stories of people like Diallo, people from all over the globe working at New York’s luxury hotels. Funny, poignant, and brutally honest by turns, the play is an investigation of the complicated relationship between movers and shakers and the people who change their sheets.Leah Hamos / Gersh
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At the very last minute, a scientist realizes that her groundbreaking environmental paper – co-authored with her best friend – is based on flawed data. Should she risk her friendship, her career, the fate of the world... for the truth?Beth Blickers / APA
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Taking refuge from a twitterstorm and other assorted upheaval on a last-minute camping trip, Mel and Arjun meet Georgia, a solitary young woman studying the impact of climate change on the imperiled Joshua tree.Mark Orsini / Bret Adams
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The community of a shitty southern town, grapple with the murder of a Black man who is found hanging from a tree.Rachel Viola & Emma Feiwel / UTA
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When Monique and her 10-year-old daughter Samantha show up unexpectedly on her sister’s Brooklyn doorstep, it’s the beginning of the end for Rachel and her partner Nadima’s orderly lifestyle. Monique is on the run from deep trouble, her husband Reggie is nowhere to be seen, and Samantha becomes ever haunted by the life in southern Georgia she was forced to leave behind. Poetic, dark and often deeply funny Last Night and the Night Before explores the complex power, necessity, and beauty of loss.Alexis Williams / Bret Adams Ltd.
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In Miami, on the eve of Hurricane Andrew, three generations of women huddle together to weather the storm. Beset by late-stage Alzheimers, Valeria (the family matriarch and a former magicienne) wanders between present-day family tensions and the siren call of her memories. But thirty years later, in the wake of a seemingly unforgivable mistake, the family is faced with the impossible necessity of reconciliation. Inspired by Shakespeare's The Tempest, El Huracán is a story about what we carry when we're forced to leave everything behind.Rachel Viola / UTA
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When the Donnelly’s gather for a weekend in the country to gather their belongings for their recently sold estate—both an internal storm and a literal storm brews (uh oh!). As this brood of famous, longing-to-be-famous and kind of a mess but totally Caucasian family comes together with their non-white personal assistant, Charlotte, some really really really really really complicated and totally unique secrets are revealed over white wine…Beth Blickers / APA
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Sabrina Jackson cannot cope with the death of her 14-year-old son by a White cop. Rather than herald the Black Lives Matter movement, Sabrina retreats inward, living out a comic book superhero fantasy. Will Sabrina stay in this splash-and-pow dream world where sons don’t die, or return to reality and mourn her loss?Jonathan Mills / Paradigm
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On the island of Man-Jae in Korea, three elderly women spend their dying days diving into the ocean to harvest seafood with nothing but a rusty knife. They are “haenyeos”— “sea women” —and there are no heiresses to their millennium-old tradition. ENDLINGS is a real estate lesson from the last three remaining “haenyeos” in the world: don’t live on an island. Unless it’s the island of Manhattan...Kevin Lin / CAA
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Outside, black men and women are being killed by police. Inside, Deborah is trying to keep her smart-but-weird son and newly-out daughter safe and happy as light bulbs pop, shadows come to life, and the house gets strangely colder. With theatricality and lyricism, this unlikely ghost story explores what it means to let your song be heard in a world that’s trying to silence you.Beth Blickers / APA
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1888. Paris and Provence. A failing artist in desperate pursuit of a new way of seeing, haunted by his past, and hoping to remake his future in the color and light of the south. At what point in an endless cycle of failures does faith and persistence become delusion and foolishness? A meditation on love, art, and not being popular.Seth Glewen / Gersh
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at the intersection of tear gas and teddy bear memorials, at the intersection of darren wilson and michael brown, at the intersection of looting and liberation, florissant & canfield refracts the realities of ferguson in the wake of the black lives matter movement. colliding in the unlikely eden of a civil rights renaissance, a newly formed alliance of protesters are forced to put their nascent ideologies to the test in the quest for new visions of justice.Samara Anderson / Robert A. Freedman Dramatic Agency
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Redwood concerns an interracial couple (Meg, a middle school teacher, and Drew, a physicist) who are thrown into crisis when Meg's recently-retired Uncle Stevie makes a project of charting the family tree, via Ancestry.com. When Stevie discovers that his would-be nephew-in-law is heir apparent to the family that owned his (and subsequently, Meg's) relatives in an antebellum Kentucky, a time and space-bending dramedy of manners gone very far South ensues. Long-dead ancestors appear, to comment on their light-skinned progeny. Meg speechifies on the nature of forgetting before the State Senate, a...brittanykallen@gmail.com
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Inspired by Lorainne Hansberry’s Les Blancs, Les Fréres tells the story of three estranged brothers of Haitian descent, who come home to Harlem for their father’s final days. Troubled memories filled with anger and abuse come rushing back as they deal with their father’s death. They are forced to deal with how each choose to deal with memories, how each have escaped, feelings of abandonment, betrayal and loss. Finally, the end asks two of the brothers if they will escape back into the lives they have forged for themselves or will they try to make new life amongst the embers of pain. The play d...sandra@sandradaley.com
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A bestselling novelist returns to Nigeria to care for her ailing father, but before she can bury him, she must relearn the traditions she's long forgotten. Having been absent for over a decade, she must collide with her culture, traumatic past, painful regrets, and the deep, deep love she thought she could never have.Olivier Sultan / CAA
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Jamal wants to be force for good, like a Jedi in Star Wars, but he did a bad thing, firebombing a synagogue for money. Now he wonders if he's an evil Sith. A fugitive, he lays low at his mother Mary's house. Mary and Jo, Jamal's girlfriend, wonder about the good and evil in Jamal, too, as they witness the different parts of him. For Officer Brown, Jamal is just one thing: black.Max Grossman / Abrams
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A local Michigan literary professor seeks out a famous Muslim-American novelist to find out if he's a self-hating Islamophobe or a really good lay. But they find that getting under each other's skin can easily become a habit, for better or worse.Leah Hamos / Gersh
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An explosive elixir of power, class, and immigration status, which, when shaken hard with love and betrayal, creates a dangerous cocktail that threatens to destroy lives. In this Spanish language infused contemporary adaptation of Strindberg’s Miss Julie is set in the back kitchen of a Miami hotel during a night of debauchery.Ally Shuster / CAA
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Alix lives in a tiny motel room with her mother and two brothers, scrabbling to make weekly rent. Mason lives comfortably in a grand, empty house while his father runs jobs for the Hong Kong Triad. Until the day his father disappears and Mason has to figure out how to come up with grocery money and dodge Child Services and the INS. Mason and Alex develop an unlikely friendship, struggling to survive, and trying to outrun the mistakes of their parents. Will they make it out or fall through the cracks? A play about Motel Kids and Parachute Kids raising themselves and living at the poverty line i...Beth Blickers / APA
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NOURA reflects the dilemma facing modern America: do we live for each other or for ourselves? Told from inside the marriage of an Iraqi immigrant family to New York, the play speaks directly to modern marriage and the leaving of home. This fast paced script highlights an acutely relevant awakening of identity that tackles our notions of, shame, violence, assimilation, exile and love. It's a unique insight into the interior crisis that lies behind the collapse of the modern Middle East and America’s inseparable relationship to it.Leah Hamos / Gersh
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On an elementary school playground, a boy threatens to tell on a group of girls for swearing – unless one of them kisses him. But just before lips can touch, Kyeoung tackles the boy to the ground. The victory is short-lived. Over the coming years, Kyeoung herself is knocked down again and again. By an alcoholic dad. A group of quick-to-judge friends. And an endlessly invasive parade of men. As we follow Kyeoung from the discoveries of childhood to the realities of adulthood, her stories get stranger, funnier, more harrowing – and more familiar. How do girls grow up? Quickly, painfully, wondrou...Olivier Sultan / CAA
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Gretchen is a lawyer. Yusuf is her client. Yusuf is being held indefinitely without trial for terrorism. Hattie is Gretchen’s mother. Only, Hattie thinks Gretchen is a secretary, Gretchen thinks Hattie is sick and Yusuf believes he’s been framed. In a world of competing narratives, facts no longer exist. UNRELIABLE investigates the consequences of living only in a story of your choosing.Michael Finkle / WME
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In this satirical comedy, a mismatched but well-meaning foursome sets out to devise a politically correct school play that can somehow sensitively celebrate both Thanksgiving and Native American Heritage Month. How can this wildly diverse quartet-separated by cultural chasms and vastly different perspectives on history-navigate a complicated, hilarious thicket of privilege, representation, and of course school district regulations? The schools are waiting, and the pageant must go on!Jonathan Mills / Paradigm
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During the Chinese Exclusion Act, Harry Chin, a Chinese national, entered the U.S. by buying forged documentation. Like other “Paper Sons,” Harry underwent a brutal detention and interrogation, and lived the rest of his life keeping secrets – even from his daughter. Told through the eyes of a middle-aged Chin, THE PAPER DREAMS OF HARRY CHIN reveals the complicated loves and regrets of this Chinese immigrant who wound up in Minnesota. Through dreamlike leaps of time and space and with the powerful assistance of ghosts, the story of the Chin family reveals the personal and political repercussion...Max Grossman / Abrams
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A Chinese-American guidance counselor helps a troubled protege through some gender-bias bullshit.Di Glazer / ICM
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Taroon once served as an interpreter for the United States military in Afghanistan. Now the Americans – and their promises of safety – are gone, and Taroon spends his days in his sister Afiya’s apartment, hiding from the increasingly powerful Taliban. Desperate to escape with his wife and newborn son, Taroon must navigate a country left in upheaval, in which everyone must fend for themselves and few can be trusted.Ally Shuster / CAA
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Is an Origin story of the Goddess Nike and a retelling of the Olympus myth Black Greek Super hero styleOlivier Sultan / CAA
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A wrongly convicted man is released from prison after 25 years. As he settles into a new life he begins the quest to become a father. Spanning more than 40 years, this play explores family, connection, parenthood, and the right to start over.Alexis Williams / Bret Adams Ltd.
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BREACH: A MANIFESTO ON RACE IN AMERICA THROUGH THE EYES OF A BLACK GIRL RECOVERING FROM SELF HATE What happens when a woman trapped in a dead-end job and a fizzling relationship accidentally gets pregnant by a man that she’s not dating? A coming of age story about race, class and motherhood, BREACH examines how hard it is to love others when it’s you that you loathe most of all.Di Glazer & Ross Weiner / ICM
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When a lifelong New Yorker faces the loss of her Cuban-born mother and her own sense of identity in the process, she digs into her legacy and uncovers the story of her mother's beloved aunt, her own tia-abuela whom she never met. While the family fled Cuba at the time of Castro's revolution, she remained on the island for the love of another woman—a complicated choice in a less forgiving time.Katie Gamelli / Abrams
2017 Honorable Mentions: The Top 21%
The following are the 49 un- and underproduced plays by woman, trans, and non-binary authors of color that each received between 3 and 5 nominations. For more about the selection process, visit our About The List page. Playwrights have been encouraged to list their plays on the New Play Exchange to make the plays as accessible as possible.
CARMEN AGUIRRE – The Refugee Hotel
JAISEY BATES – The Day We Were Born
FRANCE-LUCE BENSON – Deux Femmes on the Edge de la Revolution
LEILA BUCK – American Dreams
GUADALÍS DEL CARMEN – Tolstoy’s Daughters
SAM CHANSE – The Other Instinct
KARA LEE CORTHRON – Welcome to Fear City
FRANCES YA-CHU COWHIG – The King of Hell’s Palace
CUSI CRAM – East of West Town
SANDRA A. DALEY-SHARIF – Straddling the Edge
CHERYL DAVIS – Swimming Uptown
MASHUQ MUSHTAQ DEEN – The Shaking Earth
ANNALISA DIAS – 4380 NIGHTS
DIANE EXAVIER – Good Blood
DONNETTA LAVINIA GRAYS Laid to Rest
KEIKO GREEN – Nadeshiko
KIRSTEN GREENIDGE – Little Row Boat, or Conjecture
CHISA HUTCHINSON – The Subject
CHISA HUTCHINSON – Surely Goodness and Mercy
ADITI BRENNAN KAPIL – Imogen Says Nothing
SLYVIA KHOURY – Against the Hillside
JACQUELINE E. LAWTON – Intelligence
PAOLA LÁZARO-MUÑOZ – Tell Hector I Miss Him
PAOLA LÁZARO-MUÑOZ – There’s Always the Hudson
RACHEL LYNETT – Well-Intentioned White People
REHANA LEW MIRZA – A People’s Guide to History In the Time of Here and Now
ANNA MOENCH – Birds of North America
DESI MORENO-PENSON – Beige
DAAIMAH MUBASHSHIR – There is Something about a Clock Face
ANA NOGUEIRA – Empathitrax
ANTOINETTE NWANDU – Flat Sam
ANTOINETTE NWANDU – Pass Over
DEEPA PUROHIT – A Valentine
C. QUINTANA – Evensong
TORI SAMPSON – This Land was Made
BIANCA SAMS – Rust on Bone
CHARLY EVON SIMPSON – Scratching the Surface
VERA STARBARD – Devilfish Sleeps
CARIDAD SVICH – De Troya
CARIDAD SVICH – Red Bike
REGINA TAYLOR – Bread
MFONISO UDOFIA – The Grove
MFONISO UDOFIA – Her Portmanteau
MFONISO UDOFIA – In Old Age
LEAH NANAKO WINKLER – Thirty-Six
LIVIAN YEH – Memorial
ZHU YI – A Deal
**We made our best effort to confirm titles and eligibility of all nominated plays. If we weren’t able to find you, please email us at roys@thekilroys.org.
2017 Nominators
A.J. Muhammad – Producer, The Fire This Time Festival
A.P. Andrews – Literary Manager, Seven Devils Playwrights Conference
A. Rey Pamatmat – Co-Director, Ma-Yi Writers Lab
Aaron Malkin – Literary Associate, New York Theatre Workshop
Abigail Katz – Director of New Play Development, Atlantic Theater Company
Adam Greenfield – Associate Artistic Director, Playwrights Horizons
Adam Szymkowicz – Literary Manager, The Juilliard School
Addae Moon – Dramaturg, Working Title Playwrights/Ethel Woolson Lab
Aditi Kapil – Playwright, Mixed Blood Theatre
Adrien-Alice Hansel – Literary Director, Studio Theatre
Adrienne Campbell-Holt – Artistic Director, Colt Coeur
Alfredo Narciso – Actor
Allison Fradkin – Literary Coordinator, Pride Films and Plays
Alyson Germinder – Literary Manager, Unicorn Theatre
Amber Bradshaw – Managing Artistic Director, Working Title Playwrights
Amy Boratko – Literary Manager, Yale Repertory Theatre
Amy Rose Marsh – Literary Director, Samuel French, Inc.
Amy Wegener – Literary Director, Actors Theatre of Louisville
Andrea Hiebler – Director of Scouting and Submissions, The Lark
Andrea Thome – Playwright
Andy Knight – Associate Literary Director, South Coast Repertory
Anika Chapin – Literary Manager, Two River Theater
Anne G. Morgan – Literary Manager & Dramaturg, Eugene O’Neill Theater Center
Anne Hamilton – Founder, Hamilton Dramaturgy
Aphra Behn – Artistic Director, Guerrilla Girls On Tour
April Matthis – Actor
Art Rotch – Artistic Director, Perseverance Theatre
Art Borreca – Co-Head, Iowa Playwrights Workshop
Ben Coleman – Literary Supervisor, Samuel French Inc.
Benjamin Benne – Producer, Literary & Content, Forward Flux Productions
Benjamin Kamine – Director, Freelance
Bianca Bagatourian – President, Armenian Dramatic Arts Alliance
Bixby Elliot – Playwright and Co-Curator, The Brooklyn Generator and InViolet Theater Company
Bobby Moreno – Actor
Carrie Chapter – Literary Manager & Dramaturg, Philadelphia Theatre Company
Carrie Frymer – Director, Creative Development, Warner Bros Theatre Ventures
Casey Stangl – Director, Freelance
Cate Cammarata – Literary Manager, Theater Resources Unlimited
Catherine Randazzo – Associate Artist, Florida Studio Theatre
Celise Kalke – Director of New Projects, Alliance Theatre
Chelsea Thaler – Actor, Director
ChiChi Anyanwu – Manager, The Cooper Company
Christine Sumption – Festival Dramaturg, Hedgebrook
Christine Scarfuto – Literary Manager, Long Wharf Theatre
Christopher Acebo – Associate Artistic Director, Oregon Shakespeare Festival
Christopher Breyer – Literary Director/Dramaturg, Ojai Playwrights Conference
Christopher Burris – Associate Producer, The New Black Fest
Claire Reinhart – Director of New Play Development, Halcyon Theatre
Colette Robert – Director
Corinne Hayoun – Manager, Manage-ment
Cynthia White – Director of New Play Development, Orlando Shakespeare Theater
Daniel Talbott – Artistic Director/Artistic Associate, Rising Phoenix Rep/Rattlestick
Danya Taymor – Director, Freelance
David Mendizábal – Producing Artistic Leader, The Movement Theatre Company
Dawson Moore – Coordinator, Last Frontier Theatre Conference
Debargo Sanyal – Actor
Delia Kropp – Company Member, Pride Films and Plays
Dev Bondarin – Artistic Director, Astoria Performing Arts Center
Dina Janis – Artistic Director, Dorset Theatre Festival
Don Nguyen – Playwright
Donnetta Grays Lavinia – Actor/Playwright
Douglas Langworthy – Dir. of New Play Development, Denver Center Theatre Company
Dylan Key – MFA Director, UC San Diego
Elizabeth Frankel – Director of New Work, Alley Theatre
Elizabeth Rothman – Director of Play Development, MTC
Emily Mann – Artistic Director and Resident Playwright, McCarter Theatre Center
Emily Morse – Artistic Director, New Dramatists
Emily Shooltz – Associate Artistic Director, Ars Nova
Emily Simoness – Executive Director, SPACE on Ryder Farm
Eric Shethar – Artistic Programs Associate, Ars Nova
Erik Ehn – Head of Playwriting, Brown University
Erin Daley – Artistic Associate, Primary Stages
Evan Mueller – Artistic Associate, Strange Sun Theater
Evren Odcikin – Director of New Plays, Golden Thread Productions
Farah Bala – Actor/Producer
Flordelino Lagundino – Artistic Director, Leviathan Lab
Gabriel Greene – Director of New Play Development, La Jolla Playhouse
Graeme Gillis – Co-Artistic Director, EST/Youngblood
Gregg Henry – Artistic Director, KCACTF, The Kennedy Center
Gwendolyn Whiteside – Artistic Director, American Blues Theater
Gwydion Suilebhan – Playwright
Haley Fluke – Literary Manager, Company One Theatre
Hannah Wolf – Director, Freelance
Hayley Finn – Associate Artistic Director, Playwrights’ Center
Heather Helinsky – Freelance Dramaturg, Great Plains Theatre Conference
Henry Wishcamper – Artistic Associate, Goodman Theatre
Ian Morgan – Associate Artistic Director, The New Group
Indika Senanayake – Actor and Producer
Isaac Gomez – Director of New Play Development, Victory Gardens Theater
Jacey Little – Artistic Director, Horse Head Theatre Co.
Jack Moore – Associate Dramaturg, The Public Theater
Jack Reuler – Artistic Director, Mixed Blood
Jaime Castaneda – Associate Artistic Director, La Jolla Playhouse
James Ijames – Playwright, Orbiter 3
Jason Eagan – Artistic Director, Ars Nova
Jason Ramirez – Professor of Theatre, SUNY
Jenna Clark Embrey – Literary Manager, Signature Theatre
Jenni Page-White – Literary Manager, Actors Theatre of Louisville
Jennifer Chambers – Associate Artistic Director, The Echo Theater Company
Jennifer Decker – Artistic Director, Mildred’s Umbrella Theater Company
Jennifer Kiger – Associate Artistic Director, Yale Repertory Theatre
Jenny Ikeda – Actor
Jeremy Aluma – Director
Jeremy Cohen – Producing Artistic Director, The Playwrights’ Center
Jeremy Gable – Playwright
Jeremy Stoller – Dramaturg, Beehive Dramaturgy Studio
Jesse Cameron Alick – Literary Manager and Company Dramaturg, Public Theater
Jessica Kubzansky – Co-Artistic Director, The Theatre @ Boston Court
Jessie Baxter – Literary Director, Fresh Ink Theatre
Jill Rafson – Director of New Play Development, Roundabout Theatre Company
Joan Kane – Artistic Director, Ego Actus Theater Co.
Joanie Schultz – Artistic Director, WaterTower Theatre
Joanna Sheehan Bell – Director of Programs, American Theatre Wing
Jocelyn Prince – Artistic Coordinator/Lecturer, Yale Repertory Theatre/Yale School of Drama
Jody Christopherson – Actor/Writer/ Photographer, Necessary Exposure: The Female Playwright Project and New York Theatre Review
Johanna Pfaelzer – Artistic Director, New York Stage and Film
John Baker – Curator, SPACE on Ryder Farm
John Clinton Eisner – Artistic Director, The Lark
John Glore – Associate Artistic Director, South Coast Repertory
John Steber – Director of the Playwrights’ Lab, New Dramatists
Jolie Curtsinger – Artistic Director, InProximity Theatre Company
Jon Klein – Head, MFA Playwriting Program, Catholic University of America
Jonathan McCrory – Director Of Theatre Arts, National Black Theatre
Jonathan Muñoz-Proulx – Associate Producer, Skylight Theatre Company
Jonathan L. Green – Associate Literary Manager, Goodman Theatre
Jordan Puckett- Associate Artistic Director, San Francisco Playhouse
Jordana Fraider – Programs Manager, National New Play Network
Jose Zayas – Resident Director, Repertorio Español
Julie Felise Dubiner – Associate Director: American Revolutions, Oregon Shakespeare Festival
Juliette Carrillo – Writer/Director, Cornerstone/UCI/Freelancer
Justin J. Sacramone – Freelance Director
Kari Bentley-Quinn – Co-Founder, Mission to (dit)mars
Kat Zukaitis – Literary Associate, South Coast Repertory
Kat White – Literary Manager, Theater Alliance
Kate Bergstrom – Director, On The Verge
Kate Snodgrass – Artistic Director, Boston Playwrights’ Theatre
Kate Sullivan – Director, Over the Moon Productions
Katherine Kovner – Artistic Director, The Playwrights Realm
Kathleen Warnock – TOSOS
Katie Baskerville – Director and Dramaturg
Keith Josef Adkins – Artistic Director, The New Black Fest
Kent Nicholson – Director of Musical Theatre, Playwrights Horizons
Kevin Emrick – Director of Creative Development, Stuart Thompson Productions
Kimberly Colburn – Literary Director, South Coast Repertory
Kimberly Hickman Faith – Artistic Director, Omaha Playhouse
Kirk Lynn – Rude Mechs/UTexas
Kirsten Bowen – Literary Director, Woolly Mammoth Theatre Company
Krissy Vanderwarker – Director, Co-Artistic Director, Freelance/ Dog & Pony Theatre Co.
Krista Williams – Roundtable Director, The Lark
Kyle Haden – Artistic Director, Ashland New Plays Festival
Laura Esti Miller- Literary Manager, 1st Stage
Laura Ramadei – Director of Creative Development, The American Playwriting Foundation
Lauren Keating – Associate Producer/Director, Guthrie Theater/Freelance
Lauren Halvorsen – Studio Theatre, Associate Literary Director
Lauren Whitehead – Writer, Performer, Dramaturg
Laurie Woolery – Director of Public Works, The Public Theater
Lavina Jadhwani – Director
Lia Romeo – Associate Artistic Director, Project Y Theatre Company
Lila Neugebauer – Director, Freelance
Linda Lombardi – Director and Dramaturg
Linsay Firman – Director of Play Development, Ensemble Studio Theatre
Lisa McNulty – Producing Artistic Director, WP Theater
Liz Engelman – dramaturg, UT Austin/tofte Lake Center
Lloyd Suh – Director of Artistic Programs, The Lark
Logan Ellis – Artistic Director, Theatre Battery
Lori Wolter Hudson – Artistic Associate, The New Harmony Project
Lou Bellamy – Founder, Penumbra Theatre
Louise Hamill – Artistic Director, Fresh Ink Theatre Company
Luan Schooler – Director of New Play Development & Dramaturgy, Artists Repertory Theatre
Luis Alfaro – Playwright-in-Residence, Oregon Shakespeare Festival
M. Graham Smith – Freelance Director
Madeleine Oldham – Director, The Ground Floor, Berkeley Repertory Theatre
Mallery Avidon – Playwright
Mame Hunt – Artistic Associate, Sundance Theatre Lab
Mandy Greenfield – Artistic Director, Williamstown Theatre Festival
Mara Isaacs – Executive/Creative Producer, Octopus Theatricals
Marc Masterson – Artistic Director, South Coast Repertory
Marguerite Stimson – Actor/ Co-producer of Second Monday Social with InViolet Theatre, Actors Equity/ Screen Actors Guild/ InViolet Theatre
Maria Striar – Producing Artistic Director, Clubbed Thumb
Mariah MacCarthy – Executive Artistic Director, Caps Lock Theatre
Mary Kathryn Nagle – Executive Director, Yale Indigenous Performing Arts Program
Matt Henderson – Literary Manager, 12 Peers Theater
Matthew Paul Olmos – Playwright
May Adrales – Director, Milwaukee Rep
Megan McClain – Director of the R&D Program, The Civilians
Megan Sandberg-Zakian – Director in Residence, Merrimack Repertory Theatre
Melissa Kievman – Creative Producer/Director, Brown MFA/freelance
Melody Brooks – Producing Artistic Director, New Perspectives Theatre Company
Mfoniso Udofia – Playwright and Artistic Director, NOW AFRICA Playwrights Festival
Michael Patrick Thornton – Co-Founder/Artistic Director, The Gift Theatre
Michel Hausmann – Artistic Director, Miami New Drama
Michole Biancosino – Co-Founding Artistic Director, Project Y Theatre Company
Mike Lew – Co-Director, Ma-Yi Writers Lab
Mina Morita – Artistic Director, Crowded Fire Theater Company
MJ Kaufman – Playwright
Molly Marinik – Dramaturg, Beehive Dramaturgy Studio
Naomi Iizuka – Head of MFA Playwriting, UC-San Diego
Natasha Sinha – Associate Director/LCT3, LCT3/Lincoln Center Theater
Nathaniel French – Artistic Line Producer, Signature Theatre
Nedra McClyde – Actor
Ngozi Anyanwu – Associate Producer/ Literary Reader, Now Africa/Rattlestick Playwrights Theatre
Nicholas Orvis – Literary Assistant, Premiere Stages at Kean University
Nivedita Kulkarni – Founder & CEO/President, Nuva Comedy/Asian American Script Lab
Paula Cizmar – Playwright, Dramaturg; Associate Professor of Theatre, USC School of Dramatic Arts
Polly Hubbard – Literary Manager, Steppenwolf Theatre
Polly Lee
Portia Krieger – Director
Quinn M. Corbin – Independent Script Reader
Rachel Berney Needleman
Rachel Fowler – Literary Manager, LOCAL Theater Company
Rachel Karpf – Producer
Rachel Rusch – VP, Event Series, Fox Broadcasting Company
Rachel Silverman – Artistic Producing Associate, New York Theatre Workshop
Rachel Sussman – Director of Programming and Artist Services, New York Musical Festival
Rachel Wiegardt-Egel – Literary Associate, Geffen Playhouse
Ralph B. Pena – Producing Artistic Director, Ma-Yi Theater Company
Ramona Ostrowski – Associate Producer, HowlRound
Randy Reinholz – Artistic Director, Native Voices at the Autry
Raymond Bobgan – Executive Artistic Director, American Dreams
Roberta Pereira – Producing Director, The Playwrights Realm
Roger Tang – Executive Director, Pork Filled Productions
Ryan Albrechtson – Producing Artistic Director
Ryan McGlone – Manager of Artistic Development, Second Stage Theater
Ryan Rilette – Artistic Director, Round House Theatre
Sally Ollove – Freelance Dramaturg
Sandy MacDonald – Freelance Critic, Drama Desk
Sarah Bellamy – Artistic Director, Penumbra Theatre Company
Sarah Lunnie – Literary Director, Playwrights Horizons
Sarah Rose Leonard – Literary Manager, Berkeley Repertory Theatre
Scott Kaplan – Literary Manager, Manhattan Theatre Club
Seth Gordon – Associate Artistic Director, Repertory Theatre of St. Louis
Shannon Musgrave – Associate Artistic Director, Salt Lake Acting Company
Shaun Leisher – Founder, The Punk Theatre of Allentown
Skyler Gray – Literary Manager, Alley Theatre
Snehal Desai – Artistic Director, East West Players
Sonia Fernandez – Associate Artistic Director, Magic Theatre
Sonya Sobieski – New Play Advocate, New Georges
Stacey Raymond – Actor
Susan Bernfield – Producing Artistic Director, New Georges
Susan Fairbrook – Theatre Play by Play
Suzanne Agins – Artistic Director, Upstart Creatures
Suzy Fay – Artistic Associate, Dramaturgy, The Lark Play Development Center
Tanya Palmer – Director of New Play Development, Goodman Theatre
Teresa Sapien – Artistic Associate, La Jolla Playhouse
Tessa LaNeve – Freelance Script Developer
Tiffany Vega-Gibson – President & Founder, La Vega Management, LLC
Todd Brian Backus – Literary Manager, Portland Stage
Tony Adams – Artistic Director, Halcyon Theatre
Tyler Dobrowsky – Associate Artistic Director, Trinity Repertory Company
Velina Hasu Houston – Distinguished Professor, USC School of Dramatic Arts
Walter Bilderback – Dramaturg/Literary Manager, The Wilma Theater
Walter Byongsok Chon – Assistant Professor of Dramaturgy and Theatre Studies, Ithaca College
Whitney Dibo – Creative Development, Scott Rudin Productions
Will Arbery – Playwright
William Steinberger – Freelance Director & Dramaturg
Zak Berkman – Producing Director, People’s Light
Zev Valancy – Literary Manager, Stage Left Theatre