THE KILROYS are a collective of playwrights, directors and producers in LA and NYC who are done talking about gender parity and are taking action. We mobilize others in the field and leverage our own power to support one another.

Founded in 2013, The Kilroys are named after the iconic graffiti tag “Kilroy Was Here” that was first left by WWII soldiers in unexpected places, a playfully subversive way of making their presence known.

We are (Los Angeles) Jennifer Chambers, Claudia de Vasco, Christina Ham, Jessica Hanna, Chelsea Marcantel, Bianca Sams, Gina Young; (New York City) Jaclyn Backhaus, Hilary Bettis, Emma Goidel, Monet Hurst-Mendoza, Hansol Jung, Caroline V. McGraw.

JACLYN BACKHAUS is a playwright who grew up in Phoenix, Arizona. Her mission as a writer is to create dynamic worlds that connect to lost past, illuminate untold present, and envision infinite future. Her plays include WIVES, INDIA PALE ALE, FOLK WANDERING, MEN ON BOATS, and YOU ON THE MOORS NOW. She is a co-founder of Fresh Ground Pepper, a small org dedicated to facilitating the creative process and nurturing the creative spirit. Backhaus was a winner of the 2018 Horton Foote Prize for Most Promising New American Play, a 2016 Tow Fellow at Clubbed Thumb, and she is currently in residence at Lincoln Center. Backhaus holds a BFA in Drama from NYU Tisch. She lives in Ridgewood, Queens with her husband, director Andrew Scoville, and their son Ernie.

HILARY BETTIS is a critically-acclaimed playwright whose work has been developed and produced all over the country including, Roundabout Theatre, New Georges, The Sol Project, Miami New Drama, Studio Theatre, Alley Theatre, New York Theatre Workshop, La Jolla Playhouse, amongst others. Accolades include, Edgerton Foundation New Play Awards, National Endowment for the Arts Grant, and a finalist for the Blackburn Prize, Kendeda Award, Nuestras Voces National Playwriting Competition, American Blues Theater’s Blue Ink Award, amongst others. In television Bettis won the 2019 Writers Guild of America Award for her work on the critically acclaimed, Golden Globe and Emmy Award winning FX series “The Americans.” She wrote for the Hulu miniseries “The Dropout,” starring Kate McKinnon. She’s an alumni of the Sundance Institute Episodic TV Lab, and is developing projects for AMC, Hulu, PatMa, and Netflix. She’s a graduate of The Juilliard School. Proud member of WGAEast.

JENNIFER CHAMBERS is a Los Angeles based director. She developed and directed the world premiere of The Cake by Bekah Brunstetter at Echo Theatre Company with subsequent productions at Geffen Playhouse and Barrington Stage Company, If I Forget by Steven Levinson (Barrington Stage Company), A Kid Like Jake by Daniel Pearle (IAMA), The Feast by Deborah Stein (CalArts), Sheila Callaghan’s Bed (Echo), Jessica Goldberg’s Better (Echo), the world premiere of Stephen Belber’s The Muscles in Our Toes (El Portal), The Pain and The Itch by Bruce Norris (Zephyr), Playdates by Sam Wolfson (Theatre Asylum, Elephant Theatre), and the world premiere of Complete by Andrea Kuchlewska. She has worked with acclaimed playwrights Paula Vogel and Bess Wohl and had directed workshops and readings for South Coast Rep, The Old Globe, The Geffen, Center Theatre Group and The McCarter Theater. She was associate artistic director at the Echo Theater Company and ran the playwrights lab for 3 years. She is the co-founder of Girl Crush Films.

CLAUDIA DE VASCO is a performer, producer, director and leader on screen and on stage. She is the Managing Director of Emerging Arts Leaders/Los Angeles and a member of Chalk Repertory Theatre in Los Angeles. Her work as an activist and leader in the arts has ranged from serving on the local neighborhood council to organizing to encourage artists to seek public office. She has worked with companies like Mixed Blood, San Diego Repertory, and Independent Shakespeare Company. On screen you’ve seen her on Netflix, Amazon, and HBO among other Networks. She is a former Jerome Foundation Many Voices Fellow at the Playwrights’ Center. For over 15 years she also worked as a speech, accent and communications coach and consultant for TV/film, entrepreneurs and leaders.

EMMA GOIDEL is a queer playwright in New York City. She often writes about families and the powerful socializing forces that shape them. She is the 2020 Page 73 Playwriting Fellow. Plays include The Gap (Barrymore Award, Kilroys List), Two Minutes To Midnight (developed at Clubbed Thumb under Sheila Callaghan), A Knee That Can Bend (Nominee, ATCA/Steinberg Award & Lanford Wilson Award), Local Girls (Princess Grace Award Finalist), and We Can All Agree To Pretend This Never Happened (produced at EST, Òran Mór, Tiny Dynamite/InterAct). Emma’s work has been developed and supported by Ars Nova, Azuka Theater, Clubbed Thumb, EST, InterAct, I73, LAByrinth, Orchard Project Greenhouse Lab, Playwrights Realm, Playwrights’ Center, NYSAF, PlayPenn’s The Foundry, and SPACE on Ryder Farm. She is a Resident Artist at Colt Coeur and an Affiliated Artist with New Georges. Proud co-founder of Philadelphia’s award-winning Orbiter 3.

CHRISTINA HAM was named one of The Top 20 Most-Produced Playwrights of the 2018-19 Season by American Theatre magazine . Her plays have been produced nationally and internationally by Arena Stage, the Kennedy Center, Alabama Shakespeare Festival, Seattle Repertory Theatre, Tokyo International Arts Festival, and The Market Theatre in South Africa among many others. Her TYA play Four Little Girls was directed by Tony Award winning actress Phylicia Rashad and performed at the Kennedy Center to commemorate the 50th anniversary of the 16th Street Baptist Church bombing. A graduate of the University of Southern California with an MFA in Playwriting from The UCLA School of Theater, Film, and Television, she was most recently a writer/producer on the Netflix series Sweet Tooth .

JESSICA HANNA is a Los Angeles based Director & Producer, an Artist in Residence at Thymele Arts and a Regional Coordinator for Statera Arts Mentorship Program. She Co-Founded Bootleg Theater and was its Producing & Managing Director for 12 years. Her focus has been on new work development. Directing credits include premieres of: DEATH PLAY by Lisa Sanaye Dring, NO HOMO by Brandon Baruch, FOUR CHORDS AND A GUN by John Ross BowIe, I CARRY YOUR HEART by Georgette Kelly, THE WILLOWS by Kerri-Ann McCalla and BLUE GOLD & BUTTERFLIES by Stephanie Batiste. Her PRISCILLA QUEEN OF THE DESERT, won the 2019 Ovation Award for Best Production of a Musical for Celebration Theatre where she also co-directed Justin Sayre’s RAVENSWOOD MANOR. Guest director at CalState University Long Beach, Occidental College, CalArts and CalPoly Pomona. She has taught & directed across the country and produced at the Edinburgh Fringe Festival.

MONET HURST-MENDOZA is an NYC-based playwright from Los Angeles, CA. Her plays have been developed with Rising Circle Theater Collective, Astoria Performing Arts Center, American Academy of Dramatic Arts, Amios, |the claque|, Magic Time @ Judson, Atlantic Acting School/NYU Tisch, The Flea Theater, WP Theater, The Public Theater, Classical Theatre of Harlem, and the ICA Boston, among others. Monet is an alum of the Emerging Writers Group at The Public Theater, R&D Group at The Civilians, WP Theater Playwrights Lab, Fresh Ground Pepper’s Playground Playgroup, and the Van Lier Fellowship at New Dramatists. She has held residencies with The Other Mirror, The MITTEN Lab, and SPACE on Ryder Farm. She is currently a Story Editor on “Law and Order: SVU.” Proud member of The Dramatist Guild and WGAE. BA: Marymount Manhattan College.

HANSOL JUNG is a playwright from South Korea. Productions include Wolf Play (Soho Rep), Wild Goose Dreams (Public Theater, La Jolla Playhouse), Among the Dead (Ma-Yi Theatre), Cardboard Piano (Humana Festival), No More Sad Things (Sideshow Theater), with commissions from The Public Theater, La Jolla Playhouse, National Theatre in UK, Playwrights Horizons, Ma-Yi Theatre and Oregon Shakespeare Festival. Her work has been developed at Royal Court, New York Theatre Workshop, Hedgebrook, Berkeley Repertory, Sundance Theatre Lab, and the O’Neill Theater Center. Recipient of the Whiting Award, Helen Merrill Award, Hodder Fellowship, Page 73 Fellowship, NYTW’s 2050 Fellowship, MacDowell, and International Playwright Fellowship at Royal Court. Hansol has written for Tales of the City (Netflix) and Pachinko (Apple+), and is developing work with Bad Robot. Proud member of the Ma-Yi Writers Lab, NYTW’s Usual Suspects. MFA: Yale.

CHELSEA MARCANTEL is an LA-based writer, director, and collaborator. Reared by Cajuns in southwest Louisiana, Chelsea has lived and made theatre among the peoples of the Midwest, Appalachia, the Mid-Atlantic, and now the West Coast. In 2016, she completed an American Playwrights Fellowship at The Juilliard School. Her plays include Airness, Everything is Wonderful, Tiny Houses, Ladyish, and Devour. As a writer, Chelsea is extremely interested in humans as small-group primates, and what happens when the rules and value systems of our chosen groups cease to serve us. She reads a lot of books, watches a lot of documentaries, and listens to a lot of podcasts. Chelsea is an enthusiastic member of The Writers Guild of America and The Dramatists Guild. Current commissions: Chicago Shakespeare Theatre, Geffen Playhouse, Cleveland Play House, Signature Theatre DC, as well as musical projects with Broadway producers Jeffrey Richards and Stephanie Kramer.

CAROLINE V. MCGRAW’s plays include 1983, Believeland, Ultimate Beauty Bible, The Bachelors, Tall Skinny Cruel Cruel Boys, and The Vaults. Her work has been produced and developed by Page 73, Lesser America, South Coast Rep, New Georges, Washington Ensemble Theatre, Second Stage, Rattlestick, Washington National Opera, Portland Center Stage, Williamstown Theatre Festival, The Lark, City Theatre, IAMA Theater, SPACE on Ryder Farm, and Ars Nova, among others. Caroline has been commissioned by Yale Repertory Theater, and is working on commissions from Manhattan Theatre Club/Sloan Foundation and South Coast Repertory. She has been the recipient of Page 73 Playwriting Fellowship, and a Tow Foundation Playwright-in-Residence. She is an alum of Interstate 73, the Civilians R&D Group, and the Primary Stages Dorothy Strelsin New American Writers Group. She is a graduate of the Playwriting MFA program at the Yale School of Drama, where she studied under Paula Vogel.

BIANCA SAMS is a writer/actor hailing from the San Francisco Bay Area. Her work spans different genres and mediums (plays, television and feature films). Her original pieces are often described as lyrical investigations of found stories out of today’s headlines or the pages of history, that ask audiences to face their own complex love affair with misery. She’s drawn to stories that question the roles of women, ethnicity, and family in modern society. Her work often deals with the search for “self” in the collective identity and also explore the underlying connective threads of mankind. Awards and honors include Ingram New Works Fellow (Nashville Rep), Warner Brothers TV Workshop, Tracking Board 2016 Young & Hungry List, WriteHerList 2017 and Tracking Board HIT LIST 2018. She previously worked as a writer on Training Day starring Bill Paxton, The Originals with Julie Plec & Jeffrey Lieber and Titans for She’s currently a Co-Producer on CW’s Charmed .

GINA YOUNG (she/they) is a writer, director and performer devoted to queering content and form. Her plays, musicals and salons have been presented by The Hammer Museum, REDCAT, Highways, Los Angeles Performance Practice, Grand Park’s Our LA Voices, USC’s Visions & Voices Series and the Women’s Center for Creative Work. She is the creator of SORORITY, a platform for women, trans and queer performing artists that has a cult following in Los Angeles, and Feminist Acting Class, a radical experiment in actor training. Currently working with Jill Soloway’s Topple Productions and 5050by2020, Young has toured nationally and internationally with original performance work and is a winner of the Jane Chambers Award for Playwriting and the Humanitas/PLAY LA Prize.