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THE KILROYS LAUNCH 4th ANNUAL “THE LIST”

LA-based collective releases vetted list of plays by female and trans writers of color.

Continuing the fight to achieve gender parity in the American Theater, LA-based playwright/producer collective The Kilroys has facilitated its fourth annual List of industry-recommended new plays.

The List 2017, released the week of June 26th, features the most recommended un- and under-produced plays written by female and trans writers of color, following a survey of hundreds of professional artistic directors, literary managers, professors, producers, directors, and dramaturgs. The List is organized by The Kilroys: an independent, LA-based group of female playwrights and producers, dedicated to taking action in the face of gender disparity in American Theatre.

In 2014, The Kilroys created The List survey in response to systemic gender bias in theater programming. The vetted collection of industry-recommended works was designed to bring worthy plays by female and trans playwrights to the forefront of the American theater conversation. And it has. In the first three years of its existence, The List has featured 131 plays (46 plays on the List 2014; 53 plays on The List 2015; 32 plays on the List 2016), and over 1,000 plays have been nominated by hundreds of industry professionals. Since then, more than 100 productions of plays on The List have been have been mounted or announced.

Momentum for female theater makers is on the rise, despite continued under-representation of female and trans playwrights on American stages. According to The Count, an ongoing study funded by The Lilly Awards and The Dramatists Guild released in 2015, just 22% of productions in regional theaters over the previous three years were written by women.

However, only 3.4% of the overall plays produced reported by The Count were written by women of color. This year’s List assembled by The Kilroys addresses this concern in the hopes for inclusive parity.

The Kilroys seek to focus attention on underrepresented voices as a powerful means of overcoming systemic and implicit biases that create exclusion. Through our and others’ efforts, the results of attention on underrepresented voices has increased visibility and opportunity. Historically, female and trans writers of color face additional discrimination. This year, in an effort to widen our scope and attention toward the underrepresented, and explore the intersectional facets that make up the dynamics of bias, The Kilroys have asked nominators to recommend plays by female and trans writers of color, resulting in The List 2017.

The List serves as a resource for producers and theaters committed to gender parity. The Kilroys have partnered with the New Play Exchange to provide interested parties fast and easy access to The List plays.

The List survey uses the following criteria this year:

  • Each industry respondent may recommend 3-5 plays, representing the best work they have encountered in the past 12 months.
  • A nominated play must be un-produced, or have had no more than one production.
  • A nominated play must be by an author of color who identifies as female or trans.
  • Plays on The List 2014, 2015 and 2016 are not eligible.

Theater professionals who have read or seen at least 40 plays in the previous year are invited to nominate themselves as respondents for next year’s List. Recommendations are submitted anonymously. Members of The Kilroys act as facilitators and do not recommend plays for The List.

The List is available at www.thekilroys.org and includes:

CAMBODIAN ROCK BAND by Lauren Yee

THE GREAT LEAP by Lauren Yee

YOGA PLAY by Dipika Guha

THIRST by C.A. Johnson

BLKS. by aziza barnes

IF PRETTY HURTS UGLY MUST BY A MUHFUCKA by Tori Sampson

IS GOD IS by Aleshea Harris

WE, THE INVISIBLES by Susan Soon He Stanton

QUEEN by Madhuri Shekar

THE OPPORTUNITIES OF EXTINCTION by Sam Chanse

HANG MAN by Stacy Amma Osei-Kuffour

LAST NIGHT AND THE NIGHT BEFORE by Donnetta Lavinia Grays

EL HURACÁN by Charise Castro Smith

TWO MILE HOLLOW by Leah Nanako Winkler

BLACK SUPER HERO MAGIC MAMA by Inda Craig-Galván

ENDLINGS by Celine Song

EVE’S SONG by Patricia Ione Lloyd

TO THE YELLOW HOUSE by Kimber Lee

FLORISSANT & CANFIELD by Kristiana Rae Colón

LES FRÉRES by Sandra A. Daley-Sharif

THE HOMECOMING QUEEN by Ngozi Anyanwu

REDWOOD by Brittany K. Allen

BURNED by Amina Henry

HATEFUCK by Rehana Lew Mirza

MAGIC CITY OR JULIE IN BASEL by Hilary Bettis

NOMAD MOTEL by Carla Ching

NOURA by Heather Raffo

USUAL GIRLS by Ming Peiffer

AZUL by Christina Quintana

BREACH by Antoinette Nwandu

HOW TO CATCH CREATION by Christina Anderson

NIKE OR WE DON’T NEED ANOTHER HERO by Ngozi Anyanwu

SELLING KABUL by Sylvia Khoury

SOMEBODY’S DAUGHTER by Chisa Hutchinson

THE PAPER DREAMS OF HARRY CHIN by Jessica Huang

THE THANKSGIVING PLAY by Larissa FastHorse

UNRELIABLE by Dipika Guha

THE KILROYS is a gang of playwrights and producers in LA who are done talking about gender parity and are taking action. They mobilize others in their field and leverage their own power to support one another. They are Zakiyyah Alexander, Bekah Brunstetter, Sheila Callaghan, Carla Ching, Annah Feinberg, Sarah Gubbins, Laura Jacqmin, Joy Meads, Kelly Miller, Meg Miroshnik, Daria Polatin, Tanya Saracho, and Marisa Wegrzyn.

BIOS FOR THE KILROYS

ZAKIYYAH ALEXANDER’s work has been seen and developed around the country, including: 10 Things To Do Before I Die (Second Stage), Sweet Maladies (Brava Theater Center, Rucker Theater) and, The Etymology of Bird (Summerstage). Her musical, GIRL Shakes Loose, has been the recipient of a Map and Joyce Fund Award, developed at the O’Neill Music Theater Conference and recently received a world premiere at Penumbra Theater. An alumni of: The MacDowell Arts Colony, New Dramatists, Center Theater Groups Writers Lab, Women’s Project Lab, Drama League Fellow, Youngblood EST. Yale School of Drama: MFA in playwriting. Zakiyyah has written for: 24 Legacy and Grey’s Anatomy.

BEKAH BRUNSTETTER’s plays include The Cake (upcoming at The Echo Theater, La Jolla), Going to a Place Where you Already Are (SCR), The Oregon Trail (O’Neill Playwright’s Conference), Be A Good Little Widow (Ars Nova, The Old Globe) and Oohrah! (The Atlantic; Steppenwolf Garage). She has written for Switched at Birth and Starz’ American Gods and is currently a producer on NBC’s This is Us. MFA, the New School for Drama. http://blog.bekahbrunstetter.com/

SHEILA CALLAGHAN is a NY and LA based playwright, founding member of the Obie winning playwright’s organization 13P, and New Dramatists alum. Plays include Scab, Crumble (Lay Me Down, Justin Timberlake), Dead City, That Pretty Pretty; Or, The Rape Play, Everything You Touch, Elevada, and Women Laughing Alone With Salad. She is published with Playscripts and Samuel French, and several of her collected works are published with Counterpoint Press. Sheila is currently a writer/producer on the Showtime comedy Shameless. http://www.sheilacallaghan.com/

CARLA CHING is a native Angeleno who fell into theater in New York.  Her plays include Nomad Motel (forthcoming at City Theatre in Pittsburgh; O’Neill Playwrights Conference), The Two Kids That Blow Shit Up (Artists at Play; Mu Performing Arts; Huntington’s Breaking Ground), Fast Company (EST; South Coast Rep; Lyric Stage; Porkfilled Players), TBA (2g) and The Sugar House at the Edge of the Wilderness (Ma-Yi) among others. Alumna of the Women’s Project Lab, Lark Playwrights Workshop, CTG Writers’ Workshop and the Ma-Yi Writers Lab. Former Artistic Director of Asian American theater company, 2g. Proud member of New Dramatists. Carla has written on Amazon’s I Love Dick, USA’s Graceland, AMC’s Fear the Walking Dead and The First forthcoming from Hulu. http://carlaching.com/

ANNAH FEINBERG’s plays, which include The Beautiful Beautiful Sea Next DoorNumismatics, and The Ivories, have been developed and produced by Ars Nova, Naked Angels, EBE Ensemble, The Blank and Clubbed Thumb. She has served in artistic and literary capacities for The Civilians, LCT3, MTC, Steppenwolf, Northlight, ICM, TimeLine and 13P. She wrote and directed short film “Gretch and Tim”, cartoons @memyselvesand, and her musical web series “Balloon Room” is coming soon. She served as script coordinator on I Love Dick, and has assisted on Arrested Development, Flaked, Damien and Veep. MFA Dramaturgy: Columbia University. annahfeinberg.com @annahfeinberg

SARAH GUBBINS hails from Chicago. Her plays include The Kid Thing (Jeff Award and Edgerton Foundation New American Play Award), fml: how Carson McCullers saved my lifeFair Use, The Drinking Problem, and Cocked. She’s has been a Carl J. Djerassi Fellow and Jerome Fellow. Currently she’s a Core Writer of the Playwrights’ Center. She holds a M.F.A. from Northwestern University in Writing for the Screen + Stage. She lives in Los Angeles. 

LAURA JACQMIN is a writer for television, video games, and the live theatre. She currently writes for Get Shorty (MGM/Epix). Plays: Residence (40th Humana Festival of New American Plays at Actors Theatre of Louisville), A Third (Finborough Theatre), Look, We Are Breathing (Sundance Theatre Lab; Rivendell Theatre), January Joiner (Long Wharf Theatre), Ski Dubai (Steppenwolf Theatre), Dental Society Midwinter Meeting (Chicago Dramatists/At Play, remounted 16th Street Theater and Theater on the Lake; Williamstown Theatre Festival), and more. Awards: Wasserstein Prize, two NEA Art Works Grants, ATHE-Kennedy Center David Mark Cohen Playwriting Award, two MacDowell Fellowships. Other television: Grace and Frankie (Netflix); Lucky 7 (ABC). Video games: The Walking Dead – A New Frontier: The Telltale Series and Minecraft: Story Mode (both with Telltale Games). BA Yale University, MFA Ohio University. http://www.laurajacqmin.com/

JOY MEADS is Literary Manager/Artistic Engagement Strategist at Center Theatre Group. Recent dramaturgy credits include Forever by Dael Orlandersmith, Marjorie Prime by Jordan Harrison (2015 Pulitzer Prize finalist), The Royale by Marco Ramirez, & Radiate by Daniel Alexander Jones. Previously, Joy was Literary Manager at Steppenwolf Theatre Company and Associate Artistic Director at California Shakespeare Theater. Joy has also developed plays with NYTW, Berkeley Rep, Denver Center, the O’Neill, Portland Center Stage, South Coast Rep, & Campo Santo, among others.

KELLY MILLER is a Manager at The Shuman Company in LA. Recently, she served as the Director of Development for New Neighborhood and as South Coast Repertory’s Literary Director and the Co-Director of the Pacific Playwrights Festival from 2009-2015. She dramaturged over 40 world premiere productions and readings at SCR and created the CrossRoads commissioning project. Miller has worked at Actors Theatre of Louisville, Williamstown, Long Wharf Theatre and consulted for the O’Neill, Berkeley Rep, the Kennedy Center, Public Theater, Native Voices at the Autry and many others. Recent residencies include Lake Tofte Center and SPACE on Ryder Farm. She serves on the board for the Women’s Project Theater and is an Ambassador-at-Large for the National New Play Network. She develops new work with her company Creative Destruction.

MEG MIROSHNIK is an LA-based, Minneapolis-bred playwright who writes heightened language. Plays include The Fairytale Lives of Russian Girls (Yale Rep; Alliance), The Tall Girls (Alliance; O’Neill; La Jolla Playhouse DNA Series), The Droll (Pacific Playwrights Festival; Undermain) and Lady Tattoo (Pacific Playwrights Festival, Rattlestick F*cking Good Plays Festival). Awards: Whiting Award, Susan Smith Blackburn finalist, Alliance/Kendeda Graduate Playwriting Award. Publications: Samuel French. MFA: Yale School of Drama under Paula Vogel. Affiliation: Core Writer at the Playwrights’ Center. Upcoming: Sonnet: A Play, a Shakespeare-inspired commission for the Acting Company.

DARIA POLATIN is a playwright, TV writer and author. Daria’s plays include PalmyraIn Tandem, Guidance, That First Fall, D.C., and The Luxor Express, inspired by her father’s life growing up in Egypt; work produced at The Kennedy Center, Actors Theatre of Louisville, Naked Angels, Ensemble Studio Theatre NY, Golden Thread Productions, Noor Theatre, Malibu Playhouse, Cape Cod Theatre Project, in London, Los Angeles, and Hong Kong. Member of Center Theatre Group Writers’ Workshop, Echo Theater Writer’s Lab, residency with London’s Royal Court Theatre, alumna of Youngblood. Daria has directed plays, and her short film, “Till It Gets Weird.” She writes for the upcoming Amazon TV series Jack Ryan, starring John Krasinski, and wrote for the Hulu psychic drama Shut Eye. Daria’s debut novel Devil in Ohio will be published in November 2017 by Macmillan. Awards: Kennedy Center/A.C.T.F. Best One-Act Play, Middle East America Playwriting Prize Honorable Mention, Wasserstein Prize Nominee, Princess Grace Award Finalist; MFA Columbia University. www.dariapolatin.com

TANYA SARACHO was born in Los Mochis, Sinaloa, México. She is a playwright and Television Writer who’s worked on How To Get Away With Murder, HBO’s Looking, & Girls, and Devious Maids. She is creating and has been tapped as showrunner by Starz for “Pour Vida,” a series in development. Named “Best New Playwright” by Chicago Magazine, Saracho has had plays produced at: Primary Stages in NYC, 2nd Stage in NYC, Denver Theatre Center, Oregon Shakespeare Festival, The Goodman Theater, Steppenwolf Theater, Teatro Vista, Teatro Luna, Fountain Theater, Clubbed Thumb, NEXT Theater and 16th Street Theater. Saracho was named one of nine national Latino “Luminarios” by Café magazine and given the first “Revolucionario” Award in Theater by the National Museum of Mexican Art. She is the founder of Teatro Luna (the first all-Latina Theatre Company in the nation, now defunct) as well as the founder of ALTA (Alliance of Latino Theatre Artists). Saracho is currently in development with Big Beach Films for a project about brujería and under commission with: South Coast Repertory Theatre and Two Rivers Theatre.

MARISA WEGRZYN Chicago playwright working in LA. Writer of Mud Blue SkyThe Butcher of Baraboo, Hickorydickory, Killing Women, Ten Cent Night, other stuff. Gigs at Steppenwolf, Second Stage NYC, Baltimore Center Stage, A Red Orchid Theatre, Chicago Dramatists, Theatre Seven, Moxie Theatre, other places. Winner of the Wendy Wasserstein Playwriting Prize. Writer on TV shows Mind Games (ABC), The Mentalist (CBS), and Feed the Beast (AMC). Enjoys weather.

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THE 2017 LIST

THE 2016 LIST

THE 2015 LIST

THE 2014 LIST

To recommend yourself as a potential nominator for The 2017 List, visit our CONTACT page